Since I joined the CREWS Project last November, I’ve been teaching myself Ugaritic. Over the last few weeks I’ve had the chance to put that knowledge to work. It’s traditional among Cambridge’s classical linguists to spend the last term of the academic year learning a language outside the usual repertoire of Greek and Latin. This year it was my turn to lead the group in Ugaritic. Continue reading “Learning Ugaritic and Making Tablets”
Last week the Faculty of Classics at the University of Cambridge played host to the CREWS Project’s first international conference, Understanding Relations Between Scripts II: Early Alphabets. This was a wonderful opportunity for us to bring together experts on ancient writing systems from around the world and discuss each other’s research.
As with all good academic conferences, despite having a unifying theme – early alphabets – the range of papers was extremely broad. We heard about writing systems from across thousands of years of history and thousands of miles, from the earliest probable alphabetic inscriptions from the Sinai peninsula or the Egyptian desert at Wadi el-Hol, through the Phoenician and Ugaritic alphabets of the Levant, to ancient Greece, Italy and Spain. We heard from epigraphers, linguists and archaeologists, and people who stand somewhere in between. Continue reading “The first CREWS conference: Understanding Relations Between Scripts II: Early Alphabets”
In the ancient world, if you wanted to sign something you used a seal. They came in various shapes and sizes – stamps, seals, signet rings – but the general idea was always the same: you had a small object that you could press into clay or wax to mark it with a design unique to you – just like a signature. This could be used in various ways. In the Near East, for example, legal decisions or transactions might be recorded on a tablet, and then all the witnesses would press their seals into the clay next to their names. In other cases it could function as an official lock – a door or container-lid could have a blob of clay pressed over the join and this would be marked with an official’s seal. If the clay was broken – or if it had been replaced with one without the seal – then people would know it had been tampered with. Here’s one of the most famous examples of this: the unbroken clay seal on the tomb of Tutankhamun, photographed before it was opened in 1922.
We’re well into December and the postal services are enjoying their busiest time of the year as parcels and cards fly backwards and forwards. What better time to share this little gem I came across during my research.
That’s a 1956 postage stamp from Syria featuring the Ugaritic abecedarium KTU 5.6, well-known to regular readers of this blog. I was curious about it, and a few minutes’ research showed that this wasn’t the only Ugarit-themed stamp Syria has issued.
This one from 1964 isn’t writing-based, but features this famous sculpture of a head, made of ivory and adorned with gold, silver, copper and lapis lazuli. It’s usually assumed to be a statue of a prince or princess, since it was found in the city’s Royal Palace.
This got me wondering what other countries have featured ancient writing-systems on their stamps. Here are some of the ones I found: Continue reading “Letter-Writing: Postage stamps featuring ancient writing systems”