Over the summer we conducted a competition for the first round of our Visiting Fellowship Scheme, to enable a scholar working on topics relevant to the CREWS project to come and spend some time with us in Cambridge. We had a very strong field of applicants, and were very pleased to be able to make two awards this year, to our top two candidates: Cassandra Donnelly and Willemijn Waal. You can read more about them, and their research projects, below. Continue reading “Announcing the new CREWS Visiting Fellows!”
In a recent post we asked people to get in touch and let us know if they had used CREWS materials in teaching or other activities, to help us keep track of how we are reaching people – and what more we can do. We would like to thank everyone who has replied to our plea so far, and we are absolutely delighted with the communications we have received.
At the CREWS project we are conducting new research on ancient writing systems, but the research itself is only one aspect of what we do. There’s no point in finding things out if you don’t communicate them after all. And we love passing on our enthusiasm for ancient writing! That is why we are trying to develop our outreach activities and teaching materials (see more below), and we also report on these aspects to our funding body, the European Research Council.
We want to hear from YOU. Have you used CREWS blog posts in a teaching capacity (e.g. in school or university or just with the kids at home)? Have you used our write-your-name sheets? Have you encountered us at an outreach event? Do you have any requests or resommendations for us?
If the answer to any of these is yes, please consider getting in touch to tell us. You can leave a comment on this post or use our contact form or email. Continue reading “Reaching out with ancient writing”
When I was little, I wanted to be Indiana Jones. I grew up on those films, and archaeology was the first profession I dreamed of. The more I watched them, the more I was drawn to some particular scenes that involve pieces of writing – looking back, it feels as though my career began when I became curious about how to become someone who could look at an ancient inscription and work out what it meant.
In the world of Indiana Jones, being able to read an inscription tends to be linked with cracking codes and solving mysteries. In some ways, that is what I do for a living now (how lucky am I?) – although not usually in life-or-death situations or while being chased by Nazis. Continue reading “Indiana Jones and the Ancient Inscriptions”
One of the topics that I have been working on a lot this year has been the development of the Punic script. This was the script used to write the variety of the Phoenician language spoken in the Western Mediterranean in the second half of the first millennium BC through to the early first millennium AD. It is descended from the Phoenician script, which was modified from an early alphabetic script to write the Phoenician language in the late second millennium BC.
The Punic language is perhaps not that widely known among languages in the ancient world. However, its speakers, the Carthaginians, including among their number the general Hannibal who famously took his elephants over the Alps to attack the Romans, are.
Hannibal’s celebrated feat in crossing the Alps with war elephants passed into European legend: detail of a fresco by Jacopo Ripanda, ca. 1510, Capitoline Museums, Rome. Image from HERE. Continue reading “Writing in Carthage: the Punic Script”
A couple of weeks ago, when I wrote about my visit to the British Museum, one person commented that the cuneiform tablets looked like pop-tarts. Anyone familiar with the CREWS Project and our love of ancient baking will know that this is the sort of challenge we can’t let go. I haven’t had pop-tarts since I was a kid, and not too often then, but it turns out they’re not too difficult to make. Naturally we had to give it a try.
More on Late Bronze Age eastern Mediterranean diplomacy from Philip – in which Jabba the Hutt provides an unexpectedly useful mirror for the Great King of Alashiya (Cyprus) known to us from cuneiform documents.
I just mentioned Jabba the Hutt in the academic book I’m writing. At first it was a bit of a joke, something that would never make it through the first edit, but actually, the more I think about it, the more I think it’s helpful. I’m going to drop one of those terrible academic clichés now, so forgive me, but when it comes to the Late Bronze Age Mediterranean, Jabba might actually be Good To Think With. Let me explain.
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We’ve talked a lot on this blog about how important it is to think about ancient writing in its physical capacity – as part of an object – not just as text. This is why we’re so keen on trying out ancient writing techniques for ourselves. But it’s not just making new things; it’s looking at real ancient tablets with an eye for their material characteristics and the practical techniques used to make them.
Last week I was lucky enough to visit the British Museum for a hands-on study session with some of the most famous tablets of the Near Eastern Bronze Age – the Amarna Letters.
Natalia has co-written a fascinating blog post about her adventures in the Cave of the Nymphs, taking place during her research trip based in Athens.
Mount Hymettus is known to the local people of Attica as the ‘Mad Mountain’, η Τρελοβούνι. Situated on the western side of the Attica peninsula and stretching above the coastal towns of Elliniko, Glyfada, and Voula, this mountain and its undulating topography are eclectic — if not ‘mad’. The granular limestone of the mountain makes the landscape perfect for the formation of caves, and indeed there are over 300 caves documented for this area alone. A little over seventy of these were used in antiquity, and they have variously yielded archaeological remains from the stone age right through to more recent times. On a recent weekend off from life in Athens, we (Natalia and Michael) escaped the metropolis and took an adventure up to Hymettus. In this blog post, we recount what we saw in just one of these caves, ‘Vari Cave’, also known as the ‘Cave…
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As someone who works on the written documents of the ancient Aegean and Cyprus, I come across clay tablets a lot. Clay was a very useful medium for writing in the ancient world because it was quite easily available and could be formed into different shapes, and all you need in order to write on it is a stick. Luckily for us, a clay tablet also has a good chance of surviving for thousands of years provided it has been baked.
A while ago I posted a picture of one of my favourite clay tablets on Twitter, a Linear B document that we label PY Ep 704 (which is code for saying that it comes from Pylos and deals with landholdings). (Photo courtesy of Silvia Ferrara.)