What makes one clay tablet better than another?

As someone who works on the written documents of the ancient Aegean and Cyprus, I come across clay tablets a lot. Clay was a very useful medium for writing in the ancient world because it was quite easily available and could be formed into different shapes, and all you need in order to write on it is a stick. Luckily for us, a clay tablet also has a good chance of surviving for thousands of years provided it has been baked.

A while ago I posted a picture of one of my favourite clay tablets on Twitter, a Linear B document that we label PY Ep 704 (which is code for saying that it comes from Pylos and deals with landholdings). (Photo courtesy of Silvia Ferrara.)

Continue reading “What makes one clay tablet better than another?”

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CREWS Display: A Tiny Cretan Hieroglyphic Seal Stone

This week we are having a closer look at the smallest object in our special CREWS-themed display at the Fitzwilliam Museum, a tiny seal stone made of green jasper and featuring signs of the Cretan Hieroglyphic script. At just 1.4 by 1.1 cm, and dating to the 19th-17th centuries BC, it is a minute but fascinating testament to the earliest writing system attested in ancient Crete.

AN01060643_001_l right way up

Continue reading “CREWS Display: A Tiny Cretan Hieroglyphic Seal Stone”

Cats in the Aegean Scripts

I just discovered that it is International Cat Day – which is unusually relevant to my research at the moment! But why should someone who works on ancient writing be so interested in cats all of a sudden? Well, we need to travel back in time to the ancient Aegean to discover the reason.

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Cretan Hieroglyphic seal made of carnelian, showing a cat figure. Image from HERE. Continue reading “Cats in the Aegean Scripts”

Aegean scripts and undecipheredness

Readers may be interested in a post I’ve written over on the Oxbow Books blog. It ties in with a recently published book, but I hope it’s interesting in its own right as a brief introduction to the syllabic writing systems of the Bronze Age Aegean and Cyprus (Cretan Hieroglyphic, Linear A, Linear B, Cypro-Minoan).

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The main point is to show that what we mean by ‘undeciphered script’ can vary quite a lot, from writing systems where we have no idea about the values of signs to ones where we know what many of the signs stand for but do not understand the underlying language. And it’s also just a little bit about how I live up to my lifelong dream to be Indiana Jones…

You can read the post HERE.

 

~ Pippa Steele (Principal Invesitgator of the CREWS project)

Pippa Steele