Word processing then, now and in the future…

Word processing has become such an essential part of our daily lives, particularly for those of us who write for a living, that we tend to take its presence there, and indeed its existence as an activity in itself, for granted. Yet the tool we use for this activity, namely word processing software is, of course, like the personal computer on which it depends, a very recent innovation in the story of the written word. Indeed, the modern incarnation of the word processor, such as Microsoft Word, was by no means an inevitability, and could, in principle at least, have taken a different form.

The essential component of what we would now call a word processor is a WYSIWYG (What You See Is What You Get) editor, which displays your work on screen as it will look on the printed page, in real time. In this way, the word processor brings together meaning and form in much the same way that we would if we sat in front of a piece of paper and began writing and/or drawing. In so doing, the word processor gives us the illusion of an experience akin to physically writing.

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Hands-on with Cuneiform

When I joined the CREWS Project and started my research on the context of writing at Ugarit, one of the challenges was getting to grips with Akkadian. Ugarit was a tremendously cosmopolitan and multilingual city, at the crossroads between the Mediterranean, Mesopotamia and Anatolia and this means that the writing we have from the city comes in a wide range of languages and scripts. The most common are Ugaritic – usually written in a form of alphabetic cuneiform  – and Akkadian. Continue reading “Hands-on with Cuneiform”

Talking objects

In Ancient Greece people would write on almost any kind of object. For example, votes to send a politician to exile for 10 years were written on pottery sherds! This practice of the Athenian democracy was called ostracism because the name for “sherds” in Ancient Greek is ὄστρακα (ostraka).

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Fragments of ceramic with votes for ostracism. Picture taken by the author: Agora Museum, Athens.

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