Over the summer we conducted a competition for the first round of our Visiting Fellowship Scheme, to enable a scholar working on topics relevant to the CREWS project to come and spend some time with us in Cambridge. We had a very strong field of applicants, and were very pleased to be able to make two awards this year, to our top two candidates: Cassandra Donnelly and Willemijn Waal. You can read more about them, and their research projects, below. Continue reading “Announcing the new CREWS Visiting Fellows!”
In a recent post we asked people to get in touch and let us know if they had used CREWS materials in teaching or other activities, to help us keep track of how we are reaching people – and what more we can do. We would like to thank everyone who has replied to our plea so far, and we are absolutely delighted with the communications we have received.
More on Late Bronze Age eastern Mediterranean diplomacy from Philip – in which Jabba the Hutt provides an unexpectedly useful mirror for the Great King of Alashiya (Cyprus) known to us from cuneiform documents.
I just mentioned Jabba the Hutt in the academic book I’m writing. At first it was a bit of a joke, something that would never make it through the first edit, but actually, the more I think about it, the more I think it’s helpful. I’m going to drop one of those terrible academic clichés now, so forgive me, but when it comes to the Late Bronze Age Mediterranean, Jabba might actually be Good To Think With. Let me explain.
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Natalia has co-written a fascinating blog post about her adventures in the Cave of the Nymphs, taking place during her research trip based in Athens.
Mount Hymettus is known to the local people of Attica as the ‘Mad Mountain’, η Τρελοβούνι. Situated on the western side of the Attica peninsula and stretching above the coastal towns of Elliniko, Glyfada, and Voula, this mountain and its undulating topography are eclectic — if not ‘mad’. The granular limestone of the mountain makes the landscape perfect for the formation of caves, and indeed there are over 300 caves documented for this area alone. A little over seventy of these were used in antiquity, and they have variously yielded archaeological remains from the stone age right through to more recent times. On a recent weekend off from life in Athens, we (Natalia and Michael) escaped the metropolis and took an adventure up to Hymettus. In this blog post, we recount what we saw in just one of these caves, ‘Vari Cave’, also known as the ‘Cave…
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We are pleased to announce the launch of our Visiting Fellowship Scheme, an opportunity for a researcher working on ancient writing systems to come and spend 1-3 months in Cambridge with the CREWS Project.
The deadline for applications for this round of the scheme is 10th August 2018. Please visit this page for further information:
I can’t resist reblogging this wonderful post from @eatingartefacts, featuring edible incarnations that retell the early development of writing in Mesopotamia. Look at that cake!
I have spent longer trying to figure out a good pun for this post than I spent baking the cakes, and I’ve finally just given up. I nearly made the entire thing out of Scottish tablet so I could work one in. It would have been the right colour and a pretty good consistency, but then I don’t like Scottish tablet, and what’s the point of making a timeline of the invention of writing in cake form if you won’t enjoy eating it afterwards? So instead this is all chocolate cake, coffee icing, coffee fondant, chocolate and strawberry laces. I can now inform my readership that strawberry laces do not go with any of those other foods. This blog truly is about learning. All dates are, naturally, BC.
So we start off with chocolate tokens, in geometric shapes (those splodges of chocolate definitely count as circles). Non- chocolate versions are…
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I just saw that it is World Calligraphy Day today (noticing all these “(inter)national days of X” seems to be a product of hanging out on Twitter!). This got me thinking about what we mean when we say ‘calligraphy’. The word comes from Greek and means simply “beautiful writing” – which in practice can mean a whole range of things.
Page from the Lindisfarne Gospels. Image from HERE.
Today we tend to think of calligraphy as an art that involves writing in ink with special pens on fancy paper. You can do it in any writing system from around the world – Wikipedia has a nice range of examples in its calligraphy entry HERE. The above page from the 8th century AD illuminated Lindisfarne gospels is a typical piece of monastic medieval calligraphy from northern England, while below is an 11th century AD work from the Chinese Song dynasty, On Calligraphy by Mi Fu. Continue reading “Writing beautifully”
We continue our journey through different mythologies to find all the stories about writing. This time it’s the turn of Norse mythology and the invention of runes. In the Poetic Edda, we are told that the god Odin (dedicated to wisdom and magic, among other things) hung himself on the tree Yggdrasil for nine nights, not receiving any kind of food or drink. This was a kind of self-sacrifice to himself that granted him the revelation of the runes. Since then, runes were used not only as a writing system, but also in magic and divination.
Odin fan art, taken from: https://odindevoted.wordpress.com/2013/03/31/giving-blood-to-the-runes/
Last week I had the pleasure of participating in the Bloomsbury Summer School in Egyptology, where I developed my reading in Egyptian hieroglyphics. It was a very rich experience, and it certainly improved my knowledge of Middle Egyptian. I wanted to do this because Middle Egyptian hieroglyphics omits almost entirely the writing of vowels. This is the same characteristic in Phoenician and Ugaritic writing systems that I am investigating for my part in the CREWS project.
Detail from coffin of Khnumnakht, Middle Kingdom. Met Museum New York, Rogers Fund, 1915 (http://www.metmuseum.org/art/collection/search/544326).
The fact that these three writing systems do not (in principle at least) record vowels is at odds with other notable second millennium BC writing systems, namely Linear B (for Greek) and (non-Ugaritic) cuneiform, which do record vowels. A priori it therefore seems plausible that there should be a link, either genetic or typological, between the Egyptian writing system and that of the early north-west Semitic alphabetic writing systems. Before exploring some possible links in future blog posts, for those who are not necessarily familiar with the Egyptian writing system, I thought in this blog post I would lay out some of the basic principles of the Egyptian hieroglyphic writing system. Continue reading “Learning Hieroglyphics!”
On this day in 1952, 65 years ago, Michael Ventris made the announcement that he had deciphered Mycenaean Linear B. Against all expectations, he had discovered that these Late Bronze Age documents were written in Greek – making them some 400 years earlier than any other known Greek inscriptions.
The announcement was made on the radio, and luckily the recording still survives. You can hear it HERE in a post made by the BBC a few years ago.
You can read more about the decipherment process HERE in a resource made available by the Cambridge Mycenaean Epigraphy Group.