Over the summer we conducted a competition for the first round of our Visiting Fellowship Scheme, to enable a scholar working on topics relevant to the CREWS project to come and spend some time with us in Cambridge. We had a very strong field of applicants, and were very pleased to be able to make two awards this year, to our top two candidates: Cassandra Donnelly and Willemijn Waal. You can read more about them, and their research projects, below. Continue reading “Announcing the new CREWS Visiting Fellows!”
As someone who works on the written documents of the ancient Aegean and Cyprus, I come across clay tablets a lot. Clay was a very useful medium for writing in the ancient world because it was quite easily available and could be formed into different shapes, and all you need in order to write on it is a stick. Luckily for us, a clay tablet also has a good chance of surviving for thousands of years provided it has been baked.
A while ago I posted a picture of one of my favourite clay tablets on Twitter, a Linear B document that we label PY Ep 704 (which is code for saying that it comes from Pylos and deals with landholdings). (Photo courtesy of Silvia Ferrara.)
A quick post to let you know of an article I wrote on the syllabic writing systems of the ancient Aegean and Cyprus (though excluding Linear B). This was for the catalogue of an exhibition at the Fitzwilliam Museum called Codebreakers and Groundbreakers, which examined Michael Ventris’ decipherment of Linear B alongside Alan Turing’s breaking of the Enigma Code.
Other chapters in the volume focused on Linear B, while I was asked to write about the related syllabic writing systems of Crete and Cyprus.
You can read the article online here:
Pippa has already told us about the decipherment of the Cypriot syllabaries. With the next item of our display at the Fitzwilliam museum, I have the opportunity to outline how they were used to write in the Greek language.
This is an inscription engraved on a stone that indicates the burial of a man. It was found in Marion (in the north west of the island) and dated around the 5th – 4th centuries BC. Continue reading “CREWS Display: Par(a)menon’s Tombstone”
For this week’s inscription post based on our CREWS display at the Fitzwilliam Museum, we’re going to be revisiting ancient Cyprus – this time in a much earlier period than we discussed for the Idalion Bilingual. This little item might look unassuming (it’s only a couple of centimetres in diameter, don’t be fooled by the photo!), but it is very important for trying to understand the earlier development of writing on Cyprus.
Image courtesy of the Trustees of the British Museum.
The item in question is a small ball made of clay, with writing in what we call the “Cypro-Minoan” script around the outside, which is on loan to us from the British Museum. It was found at the Cypriot site of Hala Sultan Tekke, in the island’s south-east. Continue reading “CREWS Display: A Cypro-Minoan Clay Ball”
A new published article based on my CREWS project research has just appeared in print, with a focus on non-administrative documents written in Linear A.
Here is a link to a PDF copy:
• ‘Writing ‘systems’: Literacy and the transmission of writing in non-administrative contexts’ in Jasink, E.M., Weingarten, J. and Carraro, F. (eds.) Non-scribal Communication Media in the Bronze Age Aegean and Surrounding Areas: The semantics of a-literate and proto-literate media, Periploi 9, Firenze 2017, 81-100.
Readers may be interested in a post I’ve written over on the Oxbow Books blog. It ties in with a recently published book, but I hope it’s interesting in its own right as a brief introduction to the syllabic writing systems of the Bronze Age Aegean and Cyprus (Cretan Hieroglyphic, Linear A, Linear B, Cypro-Minoan).
The main point is to show that what we mean by ‘undeciphered script’ can vary quite a lot, from writing systems where we have no idea about the values of signs to ones where we know what many of the signs stand for but do not understand the underlying language. And it’s also just a little bit about how I live up to my lifelong dream to be Indiana Jones…
You can read the post HERE.
~ Pippa Steele (Principal Invesitgator of the CREWS project)
We’re feeling full of the joys of spring today, so it seemed a good time to hunt for some of our favourite spring-themed inscriptions… And when I say spring-themed, yes, I’m talking cute animals!
1. A Late Bronze Age clay cow figurine with a Cypro-Minoan inscription on its side and a pattern of cross-hatching on its forehead.
Image courtesy of Silvia Ferrara.
Cypro-Minoan is a syllabic script of ancient Cyprus (in use between the 16th and 10th centuries BC), related to Linear A and Linear B. It is undeciphered, so unfortunately we do not know what the short text on the side of this cow says. This is the only example of a Cypriot clay figurine with an inscription, but Cypro-Minoan texts are found on a wide variety of different objects.
(Technically, we should really call this little chap a zebu, which is a type of bovid with more raised shoulders.) Continue reading “The Writing on the Cow: Cute Animal Inscriptions for Springtime!”
Team Cuneiform (@cooleiform) tweeted us yesterday with a picture of their cuneiform cookies in the latest episode of ancient baking. And delicious they look too!
I’ll also take this opportunity to mention our colleague Anna Judson, a fellow researcher in Cambridge who is an expert in making cakes of ancient inscriptions (in this case I can testify to their deliciousness, having been on the receiving end many times!). Continue reading “Just can’t get enough of edible ancient inscriptions?”