Learning about Cuneiform Tablets Behind the Scenes at the British Museum

We’ve talked before on this blog about the importance of hands-on experience with inscriptions. Seeing and handling the real thing gives a much clearer idea of the practical realities of reading and writing an ancient script than working from a transcription or even a drawing or photograph.

So I was very lucky this week to be able to visit the British Museum with Cambridge’s Assyriologists, for a behind-the-scenes tour and a hands-on session with some of their many cuneiform tablets.

IMG_4106

Continue reading “Learning about Cuneiform Tablets Behind the Scenes at the British Museum”

Advertisements

Writing Gods and Myths II: Mesopotamia

Today we will continue our journey through the myths about writing and its patron gods in Ancient Mesopotamia. This area is especially important, as it is in the Sumerian city of Uruk where we have the first attestations of writing in the form of pictographs c. 3200 BC. Later, Sumerians would develop from these pictographs what we call “cuneiform” writing (which consists of abstract wedge-shapes representing words or syllables).

pictog.jpg

Mesopotamian pictograms. http://www.metmuseum.org/art/collection/search/329081

One of the Mesopotamian stories that talks about the creation of writing involves Enmerkar, one of the mythological kings of Uruk. According to the Sumerian King List he was the second king of the First Dynasty of Uruk and the builder of the city. In the epic poem that narrates the conquest of Aratta by king Enmerkar it is said that his messenger, who had the task to transmit the messages between the two kings (Enmerkar and the king of Aratta), was failing to remember these messages. Therefore, Enmerkar had the idea of writing them down on clay.

Continue reading “Writing Gods and Myths II: Mesopotamia”