Over on our Twitter feed (@crewsproject) we’re posting an inscription advent calendar – which we hope you will enjoy as a nice way of finding out about some of the exciting texts that we come across in our research. There will be a post a day up to 24th December.
Did you know that between the 8th and 5th/4th centuries BC, there was more than one alphabet used in ancient Greece? Each region had its own alphabet – all similar to each other but with a few distinctive features (e.g. extra letters, or a special value for a letter that had a different value elsewhere). In this post I want to talk about the island of Crete, which was one of the areas that had its own unique alphabet.
CREWS researcher Robert Crellin has a post on the Philological Society blog talking about his previous research on Greek verbs, and the publication of his doctoral research.
If you are interested in finding out more about Rob’s earlier work on the Greek perfect tense and its semantics (i.e. what meanings it is used to represent) and syntax (i.e. how you use it in a sentence), you can read the whole post HERE.
Let me tell you a story of the forgotten wisdom of the ancients, preserved in secret libraries of elder ages and deciphered by visionary sages, let me tell you about men who became gods and gods who became men. Let me tell you the strange mythology linking the origins of the Phoenician alphabet with the birth of the Western occult tradition.
The origins of writing systems are fascinating, but sometimes it can be just as interesting to lay the reality to one side and look at where the people of the ancient world thought their writing systems came from. My colleague Natalia has been doing this with her series of blog-posts looking at myths about writing. Here, though, I want to look in a bit more depth at the stories told about the development of the Phoenician alphabet.
Because they get a bit weird. Continue reading “Ancient Sages and Arcane Texts: The Myth and Magic of the Phoenician Alphabet”
Natalia has been talking about the Nikandre statue, whose inscription speaks directly to the reader, in the Classics Faculty’s #30secondsclassics video series.
You can read a little more about the statue in Natalia’s earlier post on talking objects.
It’s been a busy week for the CREWS Project. We’ve just held our first conference – Understanding Relations Between Scripts II: Early Alphabets – which we’ll be writing more about soon, but before that, last weekend we took part in the Cambridge Science Festival at the McDonald Institute for Archaeological Research.
The Science Festival is a major event giving the public the chance to find out more about the research that goes on at Cambridge. There are countless talks and events all across the University, aimed at a broad range of audiences. In particular, the Science Festival attracts families and small children, so we were keen to be involved and to share our enthusiasm for ancient writing.
We’ve been doing a bit more outreach this week on the CREWS Project as Queen Elizabeth School, Barnet came to visit the Faculty of Classics. After a morning looking round the Museum of Classical Archaeology they joined us for a talk about writing in the ancient world.
I kicked things off with a look at some of the different types of writing systems that exist and an introduction to Mesopotamian and Ugaritic varieties of cuneiform and the early history of the alphabet.
In Ancient Greece people would write on almost any kind of object. For example, votes to send a politician to exile for 10 years were written on pottery sherds! This practice of the Athenian democracy was called ostracism because the name for “sherds” in Ancient Greek is ὄστρακα (ostraka).
Fragments of ceramic with votes for ostracism. Picture taken by the author: Agora Museum, Athens.
We’re well into December and the postal services are enjoying their busiest time of the year as parcels and cards fly backwards and forwards. What better time to share this little gem I came across during my research.
That’s a 1956 postage stamp from Syria featuring the Ugaritic abecedarium KTU 5.6, well-known to regular readers of this blog. I was curious about it, and a few minutes’ research showed that this wasn’t the only Ugarit-themed stamp Syria has issued.
This one from 1964 isn’t writing-based, but features this famous sculpture of a head, made of ivory and adorned with gold, silver, copper and lapis lazuli. It’s usually assumed to be a statue of a prince or princess, since it was found in the city’s Royal Palace.
This got me wondering what other countries have featured ancient writing-systems on their stamps. Here are some of the ones I found: Continue reading “Letter-Writing: Postage stamps featuring ancient writing systems”
I have a feeling this will not be the last blog post focused on the special problem of creating edible versions of ancient inscriptions…
In response to the previous post on this theme, A Taste of Ancient Writing, we had a lovely message from Hallvard Indgjerd, a researcher based at St Andrews, who told us about his own experience of baking ancient inscription cookies. He was aiming to make a Linear B tablet and some Greek Alphabetic ostraca in gingerbread.