CREWS Conference Presentations #4 – Agency, Personhood and Elite Culture

Welcome back to the this series sharing talks from the CREWS Conference ‘Exploring the Social and Cultural Contexts of Historic Writing Systems’. Today we have two papers focusing on the ancient Aegean.

Professor James Whitley, University of Cardiff – Why με? Personhood and agency in Greek inscriptions (800-550 BCE)

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CREWS Conference Presentations #3 – Writing for Display

It’s Thursday so we have three more wonderful talks from the CREWS Conference ‘Exploring the Social and Cultural Contexts of Historic Writing Systems’ for you to enjoy.

Sophie Heier, Ludwig-Maximilians Universität Munich – The visibility of runic writing and its relation to Viking Age society

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CREWS Conference Presentations #2 – Archaeology and Materiality

We’re back with more talks from last March’s CREWS Conference ‘Exploring the Social and Cultural Contexts of Historic Writing Systems‘. Today’s papers come from our sessions on the archaeology and materiality of writing.Remember you can subscribe to our YouTube channel to be kept up to date with the release of more videos like these.

Dr Philip Boyes, CREWS, University of Cambridge – The Social Archaeology of Writing Systems

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Watch Presentations from the CREWS Conference!

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Back in March we held our second CREWS Conference, ‘Exploring the Social and Cultural Contexts of Historic Writing Systems’. As you’ll know if you read Pippa’s article about it, it was a very exciting three days where we heard from speakers with a very diverse set of specialisms and approaches on different aspects of how writing practices are shaped by – and shape – the social contexts in which they’re carried out. This is an important topic because all too often we think about writing systems as abstract things which can be understood purely on their own terms, rather than as part and parcel of human action and culture that encompasses everything from cookery to art. Continue reading “Watch Presentations from the CREWS Conference!”

CREWS Display: A Cypriot Seal with a Fish-man

We have finally come to the last object in our special display at the Fitzwilliam Museum. Don’t be too sad yet though, because there is still more than a month to come and see it (until 10th June 2018) if you have a chance to visit Cambridge.

This week’s object is a little stamp seal from ancient Cyprus, featuring a fish-man with Cypriot Syllabic writing behind him to the top-left, probably 7th-6th C BC. At just 2.1 x 1.2 cm, it’s the second smallest item of our set. Now part of the Fitzwilliam Museum’s own collection, we do not know exactly where it came from but its Cypriot provenance can be confirmed because of its Cypriot Syllabic inscription.

ANE.97.1955(1) Continue reading “CREWS Display: A Cypriot Seal with a Fish-man”

CREWS Display: A Cypriot Figurine with a Greek Alphabetic Inscription

fig whole.jpgOur next object, from our special CREWS-themed display at the Fitzwilliam Museum, has a privileged position in the Cypriot gallery: standing in its own cabinet in the centre of the room. At first glance, you wouldn’t guess why this Cypriot statuette is included in an exhibition about writing, but if you move around it, you may see that it has some scratches on the back side.

Although it would seem that these are random damage to the stone, they conceal a votive inscription written in the Greek alphabet. This is the perfect excuse to talk about the presence of the Greek alphabet in Cyprus and also about how epigraphists work with problematic inscriptions like this one to untangle the text behind them.

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CREWS Display: A Tiny Cretan Hieroglyphic Seal Stone

This week we are having a closer look at the smallest object in our special CREWS-themed display at the Fitzwilliam Museum, a tiny seal stone made of green jasper and featuring signs of the Cretan Hieroglyphic script. At just 1.4 by 1.1 cm, and dating to the 19th-17th centuries BC, it is a minute but fascinating testament to the earliest writing system attested in ancient Crete.

AN01060643_001_l right way up

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CREWS Display: A Bilingual Mummy Label

The next item in our CREWS display series takes us back to Roman Egypt, where the co-existence of different languages had important ramifications for writing.

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This is mummy label, and hails from between the first century BC and the early third century AD. It is a bilingual, with Greek on one side, and Egyptian Demotic on the other. Continue reading “CREWS Display: A Bilingual Mummy Label”

CREWS Display: Replica Ugaritic Tablet

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This week in our look through the objects in the CREWS exhibition at the Fitzwilliam Museum, we’re shining the spotlight on one of our replicas, this Ugaritic tablet I made last summer. There are lots of reasons why we’ve included replica items in the exhibition. Partly it lets us show off writing systems for which genuine ancient examples are hard to come by and which we wouldn’t otherwise be able to include. But they also have an important research role. Continue reading “CREWS Display: Replica Ugaritic Tablet”